Artistic Directors' Tour Diary

Monday, September 1, 2008

Hello from Seoul

Welcome. This is an adventure for us; a blog to keep our friends, family, fans, and colleagues abreast of this exciting co-production. Because this project has been taking place for several months already and will go on for several more, we wanted to find a way to make some of the creation and cultural aspects of the project more visible; to speak a bit about the experience of Korea, especially, and to share images not only of the work, but the daily life we inhabit here in Seoul, because it is quite a contrast to our surroundings in Ireland. And there are similarities to be found as well, in the people, the culture and connections.

In upcoming posts we will talk more about our reflections and motivations behind the creation of Parallel Horizons / Under the Roof and our impressions of Seoul, but as kick-off we will share just a bit about the early part of the project's journey and a first outing here. (To read more about the production and tour details, please see the archived posts of 19 and 21 August.)

This project began in August 2007 when we were performing at the Busan International Beach Dance Festival, and were invited by the choreographer Director of NOW Dance Company, In-Young Sohn, to make a co-production. A year of planning ensued, the how, when and where worked out through hundreds of emails across space and time, to finally "give birth" to this project.


Starting on the 1st of June, In-Young Sohn and her 4 dancers were in residence with Dance Theatre of Ireland in Dun Laoghaire for 6 weeks. In that time we created Parallel Horizons with the combined group of 8 dancers. It was an adventure in communication, in getting to know the temperaments and talents of each Korean dancer and how the chemistry of this group would take off. We wanted to capture and convey the sense of the East meeting West, ancient and modern, timelessness versus lack of time. We created moments of presence and poetic gesture and contrasted this with a fast paced flow of group energy, with quick and risky duets and ensemble work where individuals, couples and quartets appear and recede. In the final two weeks the Korean and Irish musicians joined us and the studio truly became a “creating space” with dance rehearsals from 10-6 and music rehearsals going on till 11pm or later. By 12 July we had completed the final draft of the piece; dance, music and costumes and digital imagery. Sounds simple? It was a lot of work!

In the same period In-Young made a start on her piece Under the Roof, incubating ideas and setting movement that would be revisited in her August rehearsals.


On 17 August, the dancers from Dance Theatre of Ireland arrived in Seoul to continue creating the co-production with NOW Dance Company in their home studio. The same group of dancers are together again, no need to “break the ice” and each day with In-Young’s direction they go further with the ideas started in Dun Laoghaire. In-Young is using some props as well, and it takes time to work out how to manipulate them and create structures with them. A strong emphasis on the breath permeates her work, and each day’s practice includes a slow medatative sequence that counterpoints the high energy moments in the piece.

The biggest contrast that strikes us is the sheer size of Seoul, with over 10 million inhabitants. The city stretches for miles, as far as one can see in any direction. High rise building is the norm, with many 15-20 story apartment buildings clustered in groups of 10 or more. At street level it is all go, traffic 24/7 and many shops, restaurants, markets seemingly are on that same time scale. Nestled within the maze of high buildings you also have street vendors selling fruit and vegetables, fish, meat, clothing and more. Korean food comes in many forms and is everywhere to be found. This mix of modern structures and traditional markets is distinctive, as are the odours and aromas that meet you as you walk through them. It took a week to get used to the pervasive smell of fermented cabbage, the ubiquitous Kim Chi.

But the antidote to this urban scene is the mountain parks that give one perspective on the megalopolis that is Seoul. Built within a surround of mountains, Seoul spreads itself beneath forested peaks that served as its protection in times past. Now they are the recreational parks for its people.

Inwangsan is an urban park to the northwest of the city centre, reachable by subway. This hillside walk is famous for Shamanistic shrines that are tucked away, shaded by the lush forest. Shamanist ceremonies are carried out here still, and in fact we came across several underway. Chanting, drumming, fruit, wine, soju (Korean rice poteen), in one ceremony a whole pig; offerings are made to the dead, in the belief that they still need food and drink. When we told In-Young what we had seen, she said "This is very special, it does not happen all the time."

Ever the Capricorns, we seek the higher ground and climb we did…to the peak of Inwangsan. The trail follows part of the ancient Seoul fortress wall, and steep steps culminate at the 338 metre summit, where there is a view in all directions, and the immensity of Seoul is evident. But here it is quiet, the air is fresh and Monarch and Swallowtail butterflies grace the surrounding shrubs.



On the descent the trail took us through an ancient village, Buddhist temples perched on the hillside. Not just relics, there were lighted candles and drumming within as the sun settled toward evening. We were just 20 minutes walk away from the subway stop and traffic, yet you know this site carries the echoes of thousands of years of visitors and the spirits sheltered here.

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